“So much of the national dialogue about race deals with either terrible trauma or black excellence. I was more interested in the space in between, because that’s where I exist. So the challenge was finding a space between sensationalizing and also documenting and contextualizing.
In writing a memoir you are forced to reinterrogate beliefs and feelings that may have settled over decades, and you start to realize that maybe in this story where I was the victim I was actually the villain. Maybe this person who I considered to be so confident was actually performing just like I was. Maybe I didn’t treat that girlfriend as well as I thought I treated her.”